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I want him healthy, but I don't expect him to have the same measurements he had twenty years ago, either. What a pleasant surprise it was when Elvis appeared looking much slimmer that the last time I saw him. There was almost no sign of excess weight. He danced, wiggled, threw karate chops right and left, among other things. He seemed a bit tired, but who wouldn't be with his kind of schedule? All things considered, Elvis looked super!

As the last notes of 'Can't Help Falling In Love' faded away, Elvis waved and saluted the audience for several minutes. Suddenly, just like one of our spring "twisters", Elvis vanished into the darkness from which he had come. As we left the arena, we found the streets wet and the sky cracked with lightning and thunder Perfect tornado weather. I was very fortunate at this concert and had the extreme pleasure of seeing Elvis up close. After seeing him so close and hearing him perform several of my very favourite songs with his better than ever voice in person - my desire to see him again is tremendous.

I met several of "Elvis' boys" at the Hilton Hotel in Buffalo for my first time, before and after the show. They are so nice and friendly. When I talked with James Burton and got his autograph, I just had to ask him, "doesn't the loud music make you deaf?

I can't help but say Elvis has passed the state of being gorgeous. His looks simply devastated me seeing him up that close! He was in a beautiful mood, seemed so happy and really enjoyed everything he did. His beautiful hair is long and such a deep black. He has just a little tummy, otherwise he's in terrific shape.

Elvis no sooner arrived onstage and began singing when some girl came running right at him. She threw her arms around him and kissed him. This time a girl had him "All Shook Up" and he broke out laughing. When he sang 'Amen' he asked the audience to "sing it with me" needless to say, almost every person in the place immediately began singing 'Amen' and were also clapping their hands enthusiastically.

He said, "I get very nervous on opening night, really. He did a double leg split slowly going down on one leg and then the other. He prefaced it by looking up at heaven and saying "God help me". Whenever he was holding a glass of water he would tease his fans by pretending he was going to throw it on them.

His captivating smile showed he got a big kick out of teasing them. When the houselights came on Elvis said, "Two hundred miles for a birthday kiss-c'mere sweetheart. When he kissed her, the girl didn't want Elvis to leave. A fan gave him a crazy-coloured hat. So he put it on and walked across the stage to The Sweet Inspirations. Before giving out one scarf to a fan he wiped his chest on the inside of his jumpsuit with it. Elvis sang every song beautifully but two songs really stood out.

He said, "We have a new record out ladies and gentlemen and we'd like to sing it for you. The second time around he made his voice go up really powerfully at the end. His one and only voice sure is a wonder to me!! Charlie Hodge brought a giant bulletin board that was covered with photos of Elvis up on-stage to Elvis, and Elvis looked it over.

Without a doubt my favourite song was the man's sincere version of 'America'. To hear Elvis perform this intensely moving song very moving because Elvis made it very moving truly is a touching experience no fan should miss.

This song alone, the way he performs the song, speaking part of it the way he does, is enough to keep me in awe of the man for the rest of my life. He has the sensitive ability of knowing just when to pause and what word or phrase to emphasise to get the best possible effect and feeling. I almost cried and during this song found myself saying silently, God bless him and take care of him. Before that final song Elvis said "I'd like to tell you something, you've been a fantastic audience, when was the last time we were here?

Elvis asked "Two years, three years? There were no guards and not many people on this side. Which put me in a daze that I could get that close to Elvis with no guards to make me go back. But suddenly about twenty girls rushed at Elvis and a few of them got a hold of Elvis.

Immediately a swarm of guards were carrying the girls away. Elvis just pulled himself away from the girls and smiled. Being fortunate enough to experience Elvis up close, got to know him as a person as well as a performer was amazing and fantastic as the guy is, he really is just another human being like you and me.

But a very, very special human being that i have a very, very special love for, he was so nice and so friendly with his fans, he is such a nice man.. We arrived in Buffalo at and after a two hour drive from Toronto, on the day of the concert. When we found the Buffalo Memorial Auditorium, we were told that all of the tickets were gone.

But, several times during the day we would check at the box office. Talking with some of the security guards, we were told that some tickets were available from the offices upstairs. So we bought tickets for the second row on the right hand side of the stage -- right eye-level with Elvis.

These were the best tickets I have ever had for an Elvis concert. The show was to begin at but, as often happens, it began ten minutes late. One of the Stamps Quartet acted as MC for the show. I think it as Ed Hill. The show opened with the Joe Guercio orchestra and the band playing the Theme from S. The Stamps Quartet were first on the bill this evening and, believe it or not, Ed Hill says, by way of introduction, "And now ladies and gentlemen, one of the finest gospel quartets in the nation, J.

Sumner and The Stamps Quartet". So Ed then puts down his mic' and joins the other three as they take the stage. They sang real rockin' gospel songs of which I could understand very few words.

As they were performing, J. The Stamps were quite a disappointment ofter seeing the perform at the Pontiac show. When their set was finished, Ed announced the comedian? Jackie Kahane! What can I say? The same material for over four years, with NO change.

I suppose that Elvis and Mr. Kahane do have at least something in common. The Sweet Inspirations followed and, as usual, they were the highlight of the opening acts. Finally, Ed Hill says: "Could we have the houselights down, please!

The very exciting '' theme begins. Near the end of it, half the audience is on its feet, craning to get the first look at Elvis as he bounds on stage.

The drums pound, the band plays the intro music, but Elvis still hold's back for another ten seconds. He's here. He enters the stage from the left side which is unusual. The crowd was one of the very wildest I have ever seen.

They began to flock to the stage, from all sides. I must say that security was very bad, and that the guards spent most their time watching Elvis.

Elvis walks back and forth acknowledging the audience. Getting his guitar from Charlie, Elvis walks up to the microphone, and pulls it over to him. Leaning over into the mic', he belts out 'C. Elvis was on! The very first number can usually tell you what kind of show you're going to see. C Rider' was dynamite. Well well well well well well well You people just come here to hear me sing well well.

Well well well well That's it, thank you very much. The right leg is pumping all the time, while the crowd is pressing closer and closer to the foot of the stage and Elvis! When Elvis began singing 'Amen' there was some feedback, and Elvis looked over to the sound engineers and sang, right in tempo, "Watch your feedback. Sing with us.

As he finishes, he says "That's enough, Aaaaaaamen. Go get it, J. When J. He's the world's lowest bass singer, so he should be able to do better than that. Listen to him this time! Good evening ladies and gentlemen -- my name is Wayne Newton. I got a Wayne Newton haircut.

Sherrill Nielsen helped remove her from the stage. Elvis then turns around to the hundreds behind the stage and, of course, hundreds of flashbulbs go off. Almost uncontrollable. Stuffed toys were being thrown onto the stage. A hat was thrown to him, and he put it on. A rose was also thrown, and he attempted to put it in his hair. He sings: " At the conclusion of the song, he makes his back up vocalists hold the last note for some tine.

Note: What made this show really good was that Elvis was not using them as much. That is, he would hold the last notes, go up to the last notes, and actually sing them, instead of what he usually does -- which was to conduct them. This is a good change, and I hope Elvis continues to sing his own songs.

Take it on! It was a beautiful version, and, as the crowd grew, Elvis said: "Be careful! Be careful! We don't want anybody to get hurt. The crowd was at a very high fever pitch now. Elvis was not permitted to get really involved in this song because of the crowds' reaction to him -- but nonetheless, he gave the best he could in the circumstances.

Part of the reason for Elvis' non-involvement was that a boy I think it was a boy of two or three was lifted onto the stage. Elvis, while singing, walked over and gave the boy a scarf and a kiss. For this, Elvis drew great applause. The child didn't know what to do now, but was finally lifted off the stage. During another moving part of the song, a very large stuffed hound dog was thrown onto the stage, but Elvis continued singing.

He made no move towards it, and consequently, Charlie quickly removed it from the stage. Elvis continued: " My woman got tired of the heartaches, tired of the sweat ah grief and the strife, so tired of working for nothing.. Thank you ladies and gentlemen. You're a fantastic audience. I'll get to you when I get a chance to, boy. I'd like to do a medley of some of my records for you. You just want a kiss? During the instrumental break in 'Don't Be Cruel', Elvis gave out several scarfs, but in the process he got too close to the edge of the stage.

The next song is my very favourite Elvis ballad. He sings this well, but the Today version still was way out in front.

During the song he sings: " I tell them my God I don't know This beautiful ballad was followed by -- 'Jailhouse Rock'. I couldn't believe it. It was great, with the piano being particularly outstanding.

I had never heard Elvis sing this in person. It was a really rockin' version. He ended the song with that famous Elvis ending: "They were dancin' This is only the second time I've seen Elvis do this song. It was good, with lots of leg movement. The crowd was finally beginning to settle down, with some moving back to their seats. I light up when you call my name..

Studying it, he then says: "Oh, a pearl necklace, What's this for? Who's is it? Absolute dynamite. If a live version of this song is not released soon, it would be a crime.

Elvis sings a little, then speaks part of it, then finishes the song with an unbelievable high note. This version contained a fairly lengthy bass solo by Jerry Scheff. I'd like to just walk around and catch my breath. It's hot up here! I'd like to introduce you to the members of my group before I go any further..

The young ladies you met earlier in the show, we've been together for about six-and-a-half years. I think they're fantastic -- The Sweet Inspirations.. I'll be back there. Sumner and The Stamps quartet. This fellow here on the end, who tackled the girl earlier" the one who jumped on the stage and kissed Elvis , "he sings harmony with me a lot, his name is Sherrill Nielsen.

I'd like to introduce myself.. I'd like to introduce The Stemps to you individually ladies and gentlemen. Their bass singer is from North Carolina, his name is Larry Strickland.

The baritone singer--he's from Nashville, his name is Ed Hill. Their lead singer, the blond headed kid, he's from Nashville, his name is Ed Enoch. He's my twin brother! They have a new tenor singer ladies and gentlemen, his name is Any kin of John Wilkes?

The little girl who does our high voiced singing she's from, ah, Los Angeles, Her name is Kathy Westmoreland. Play something. On the lead guitar is James Burton. Hardin, but no reason was given. Whether there is some hard feelings here or not is hard to say.

But if there was, Elvis' forgetting Ronnie's name would be an indication. Ronnie is back, Glen is gone. On the fender bass from up in Canada ladies and gentle en is Jerry Scheff.

Play the blues Jerry. Hit it baby. A really good solo, maybe even better than Glen's? When David appears to be going nowhere with his solo, Elvis says, "When you gonna end it, son? Do something. There you go! You forgot the ending. Ah, the first time that David and I worked together, we recorded a song called 'Love Letters'. We'd like to sing that for you. I don't know if Elvis has ever done this song before, but it sure is welcome for a change.

Nice going. Joe is conducting the fantastic Joe Guercio orchestra. They played 'School Day', and Elvis sang some of it, off mic'. We have a new record out" Screams screams screams "ladies and gentlemen, we'd like to sing that for you. Really terrific intro music for 'Hurt'. Elvis' voice is unbelievable on this as he reaches up for those notes at the beginning and the end of this song. The spoken part is very dramatically done. After the fantastic conclusion, and because of the wild applause, Elvis asks: "You wanna hear it again?

He put his all into the last few notes of this song and it showed. It did it better this time! You're fantastic. Thank you very much. Thank you. This version suffered because of the effort he had just put into the last song -- but still, a good version.

There's a slightly new horn arrangement, which I really liked. Elvis shakes a little, punches at his imaginary opponent, and goes into a few karate stances. Now that you've had a chance to look at us, I'd like to turn the houselights up so we can see you. Four-hundred miles for a birthday kiss," reads Elvis from a sign a woman is holding up. So Elvis says, "Come here, sweetheart.

It's her, it's her! You want a kiss? What's your name? He then gave her her present. I've always thought that this song wouldn't be a bad closer for his show, and each time he sings it, I think -- Maybe he'll close with this tonight? But he didn't. Elvis does the falsetto part again like he did on the album Madison Square Garden , when he sings: " I'd like to tell you something, uh, you've been a fantastic audience here.

When was the last time we were here? So, any time you want us back, just give us a ring and we'll come back again. Why should he go back. Toronto is ready, why isn't Elvis? Is he afraid? He comes so close, yet he can never make it that extra ninety or a hundred miles. The crowd is moving, but not out, but towards the stage.

They are frantically reaching, and throwing things. Someone gives Elvis a very beautiful painting of three or four horses maybe Elvis'? He walks to all sides of the stage, waving and shaking hands, and throwing out the last few scarfs -- and then quickly exits.

The end of a fantastic concert, one of his very best. Ed Hill says: "Ladies and gentlemen, Elvis has left the building. Thank you and goodnight. Well, here it was, Monday, June 28, and after weeks of waiting, my friend and I were on our way to The Spectrum in Philadelphia to see Elvis.

For myself, it was exactly two years and five days from the time I first saw him in the same building. That occasion was one I don't think I'll ever forget.

So now it was Elvis IV, the fourth time I had seen him in two years, but the first time for my friend, who was naturally quite excited. I was slightly calmer that I had been other times, but not by much. It didn't take long to notice that there were changes from the last Elvis show I saw in July of First, Big Al was not around, his place being taken by a member of The Stamps, who urged fans to buy souvenirs while speaking from a mike behind the stage. Then, as the show itself got under way, it was not Voice but The Stamps who appeared, doing a few gospel songs, and then bringing J.

They are a very talented trio. Finally, the time came for Elvis. We were sitting fifteen rows back of a corner of the stage, and had an excellent view of him as he came up the steps, amid a chorus of screams and what seemed like a million flash cubes going off at once.

After I had studied him closely for a few minutes through binoculars, I was mildly surprised at the weight he had put on since July, Perhaps I expected it around the stomach, but his face seemed puffy, much different that it ever appeared before, at least to me. Also, his hair seemed much longer and was combed differently, although it looked good on him.

Elvis opened with 'C. He sang these songs at half-power, which still sounded better than anyone else could do. Then came 'You Gave Me A Mountain' and the almost 20, fans heard for the first time the incredible range, depth, and beauty fo Elvis' voice. As usual, Elvis did many of his old favourites, but left out 'Love Me Tender', which surprised me. Both of these songs demonstrated the beauty and tenderness of his voice.

When Elvis said he was going to do his version of 'America', almost everyone stood immediately, and they remained standing for what has to be the best I've ever heard anyone sing that song. In a class by itself! This great buick is one of the most sought after used vehicles on the market because it never lets owners down. Message from wilkie lexus: the east coast's only elite of lexus winner 24 years in a row! Heated leather panoramic roof, navigation, and only 14k miles. Very clean inside and out asking Experience the drivetime difference!

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